Outpost VFX was tasked with some of The Lost Bus’s most demanding moments, sequences that needed to feel visceral and ...

Best Visual Effects is one of my personal favorite Oscar categories, but this year it’s one without a single Best Picture nominee in the bunch, which isn’t that uncommon — it happened most recently in ...

While the performances of Leonardo DiCaprio and Lily Gladstone and direction of Martin Scorsese are certainly garnering acclaim when it comes to “Killers of the Flower Moon,” there’s another aspect of ...

It was a typical day on the set of Tim Burton’s “Beetlejuice Beetlejuice,” and a dead mime was screaming. The most unsettling problem? The actor‘s tongue still had a visible and decidedly not-ghostly ...

In his 3D work, Kendall Dirks ’25 (3D digital design) maintains a photorealistic style that reflects side-by-side interests in visual effects and photography. His zeal for photography dates back to ...

Achieving realism in visual effects (VFX) is crucial for creating immersive and believable scenes in Unreal Engine. While the engine’s built-in cine camera is powerful and precise, it often produces ...

Diego Pineda has been a devout storyteller his whole life. He has self-published a fantasy novel and a book of short stories, and is actively working on publishing his second novel. A lifelong fan of ...

In subreddits and X threads, commenters seem to be railing more and more against terrible visual effects and wondering why modern films and TV shows look so bad. But is that actually true? Let’s flip ...

As far as the Mount Rushmore of in-camera effects of all time goes, it’d be hard not to turn the whole mountain into a giant shrine to Peter Jackson’s original Lord of the Rings trilogy. There are ...

Hollywood may soon need to bid farewell to a visual effects giant credited with bringing classic films such as “Gone with the Wind” and “The Wizard of Oz” to full color. Technicolor, the 110-year-old ...