Sometimes a work can take hold of you and never let you go. All you want to do is return to it. For Leigh Silverman, that work was David Henry Hwang’s play Yellow Face which she directed at the Public ...
Q: What inspired you to return to the “Miss Saigon” casting controversy once again as part of the basis for “Yellow Face”? A: Ever since the failure of “Face Value,” I had been looking for a way to ...
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